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KIRSTEN LEENAARS


The Broadcast, 2019, video still


The Eli and Edythe Broad Art Museum at Michigan State University announced 11 new acquisitions to its permanent collection. Expanding on the museum’s mission to amplify the voices of underrepresented communities, all of the artworks acquired this year were by women artists, Indigenous artists, and artists of color.

Among the acquisitions is the work by Kirsten Leenaars:


Kirsten Leenaars, The Broadcast (2019)


This community-based project enlisted the help of young participants from the greater Lansing area. Made in close collaboration between Dutch artist Kirsten Leenaars and the participants, video work explores vocally expressive platforms—interviews, show-and-tell, even song—that cultivate agency, creativity, and a multiplicity of viewpoints. By employing the politics of imagination and representation, it considers how media shapes and even produces our experience of reality. This work was featured in the 2019 MSU Broad Art Lab exhibition The Broadcast.

“A healthy future for museums relies on embracing and preserving in perpetuity the richness of diverse cultures through our collections,” said Director Mónica Ramírez-Montagut. “We are particularly proud of our current roster of acquisitions focused on work by women and artists of color, which will move our institutional needle towards equity of representation, and thus shape our future to one where we are all adequately and respectfully represented.” “The acquisition of these incredible works, all of which are drawn from current exhibitions or will be on view in 2022, will enable continued research and sustained dialogue with these 11 artists by the museum and across the MSU community,” said Georgia Erger, assistant curator and staff lead for the acquisitions committee. “These artists share a commitment to social, racial, and environmental justice; through their artistic and activist practices they amplify the voices and narratives that most urgently need to be heard within our communities.”



Join us for a virtual screening of Kirsten Leenaars’ work (Re)Housing the American Dream: Freedom Principles (2018) followed by an artist’s talk, “(Re)Housing the American Dream and the Politics of Imagination.” Who gets to imagine what? The act of imagining itself is not a fair, objective, or equitable thing. So what happens when you follow the same group of twenty-two American born and refugee youth over a period of years and ask them collectively to imagine different future scenarios, reframe-histories, and contextualize their own lived experiences and truth? Kirsten Leenaars’ (Re)Housing the American Dream: Freedom Principles is part of an ongoing community-based performative documentary project, set in the city of Milwaukee, that explores the role of film as political action, and examines the politics of imagination through the act of collective making.



In this live interview with Kirsten Leenaars and Joel Craig we revisit the amazing, collaborative video they created for last fall's Lit & Luz Festival: "¿Cuál es la palabra mágica? / What is the magic word." By Joel Craig, Luis Felipe Fabre, and Kirsten Leenaars.


With hosts Daniel Borzutzky, Rachel Galvin, and Esteban King, we will screen select videos and then converse with their creators about these pieces, upcoming projects, current events, and more. Round one features videos and interviews with Diana del Ángel, Joel Craig, Kirsten Leenaars, and Israel Martínez.


Joel Craig is poetry editor for MAKE. He is the author of The White House (Green Lantern, 2012) and Humanoid, a book of performances, is forthcoming from Green Lantern in autumn 2020. Joel Craig el editor de poesía de MAKE. El es el autor de The White House (Green Lantern Press, 2012) y Humanoid, un libro de actuaciones, está disponible de Green Lantern en otoño de 2020.


Kirsten Leenaars is an interdisciplinary video artist based in Chicago. Various forms of performance, theater, and documentary strategies make up the threads that run through her work. She engages with individuals and communities to create participatory video and performance work. Recent projects include The Broadcast (2019), a video project for the Broad Museum of Art in East Lansing considering truth and distortion in public address and media representations; Present Tense (2019), a multichannel video work commissioned by Illinois Humanities, in which young men and women reflect on their lived experiences of the current justice system and prison-industrial complex and (Re)Housing the American Dream (2015–ongoing), a multi-year performative documentary project with American-born and refugee youth commissioned by the Haggerty Museum of Art in Milwaukee. Kirsten Leenaars es videoartista interdisciplinaria y radica en Chicago. Distintas formas de performance, teatro y estrategias documentales componen los hilos que recorren su obra. Ella se relaciona con individuos y comunidades para realizar videos participativos y obras de performance. Sus recientes proyectos incluyen The Broadcast (2019), un proyecto en video para The Broad Museum of Art en East Lansing que considera la verdad y la distorsión en la dirección pública y las representaciones mediáticas; Present Tense (2019) es video multicanal encargado por Illinois Humanities, en el cual hombres y mujeres reflexionan sobre las experiencias vividas con el sistema de justicia y el complejo industrial de las prisiones; y (Re)Housing the American Dream (2015 – en curso) es un proyecto documental performativo de varios años con jóvenes nacidos en Estados Unidos y refugiados, encargado por el Haggerty Museum of Art en Milwaukee.




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