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KIRSTEN LEENAARS


Till My Feet Hit the Warm Concrete: Letters from Young People Incarcerated, a publication by Kirsten Leenaars and Circles&Ciphers. Design: Sonia Yoon.


A Letter to the City: “jail is not my home”, the second project of collaborators artist Kirsten Leenaars and restorative justice organization Circles&Ciphers started with an open call for letters from individuals who are currently incarcerated in Cook County Jail (Chicago). They received 46 letters, and each letter writer was compensated for their creative efforts. Leenaars and Circles & Ciphers then collaborated closely with 15 selected letter writers to create a documentary video piece.


Weaving their deeply personal stories through performative actions and image making, the video asks the viewer to reflect on the ways the prison-industrial complex affects individuals, families, communities and a city. Footage includes excerpts from the letters displayed on walls, buildings and street surfaces throughout different neighborhoods in Chicago identified by the letter writers as their home communities; interviews with community members responding to the letters’ text; recorded audio of the letter writers reading their own letters over the phone while calling from Cook County Jail; a performance by Circles & Ciphers youth of freestyle ‘serenades’ in front of the jail; and an airplane flying over Cook Country Jail with a banner featuring the phrase excerpted from one of the letters: jail is not my home. All these moments are documented and are edited together as a letter to the city, amplifying and echoing the deeply personal stories and experiences of young people that are often marginalized in this society.


In addition to the documentary, Leenaars and Circles & Ciphers produced the publication Till My Feet Hit the Warm Concrete: Letters from Young People Incarcerated, which includes all 46 letters they received. The letters contain poems, hip-hop verses, personal stories and philosophical reflections on the notion of freedom within the context of America. The publication is an important element of their project because it fully represents the multitude of experiences and perspectives that were expressed in the letters. It also serves as an educational tool, as it highlights restorative justice practices and inspires readers to imagine alternative models to the current criminal justice system while providing concrete ways that readers can become active contributors to this conversation.


The publication is designed by Sonia Yoon and was made possible with support of the DCASE Artist Response Grant (2021) and with support of the Embassy of The Netherlands in DC.


Link to video excerpt documentary: A Letter to the City: “jail is not my home”






Tomorrow, and Tomorrow and Tomorrow

Opening: Friday, April 15th, 6pm – 9pm.

Open hours Saturday, April 16th, 10am – 5pm.

Design Museum of Chicago, 72 E. Randolph, Chicago, 60601


Industry of the Ordinary have invited 100 Chicago-based artists to reflect on our shared experience of the last two years. This brief show will bring together a significant cross-section of the city’s creative community for a unique event.

Each artist was given the following text:

‘As we continue to emerge from the initial period of global upheaval, we find ourselves in a liminal space – a transitory, in-between state of indeterminacy and ambiguity. We are neither in nor out of the pandemic and exist as a binary condition; a superimposed state of being. A sense of being in a waiting room with no windows’.


The artists

Alberto Aguilar • Candida Alvarez • Tim Anderson • Julia Arredondo • Claire Ashley • Aimée Beaubien • Jonas N. T. Becker • Iris Bernblum • George Blaha • Larry Bookbinder • Meghan Borah • Whitney Bradshaw • Phyllis Bramson • Stephanie Brooks • Judith Brotman • Jared Brown • Ivan Brunetti • Robert Burnier • Tom Burtonwood/Holly Holmes • Paola Cabal • Patty Carroll • Jonathan Michael Castillo • Juan Angel Chavez • Andrea Coleman • Kelli Connell/Natalie Krick • Andi Crist • Paul D’Amato • Karen Dana Cohen • Cass Davis • Design As Protest Collective • Denenge • Documents Bureau (Georgina Valverde, Matthew A. Stone, Marcos Herrera, with Dud Lawson and K. James Henderson of Depression Press Mfg. & Ink, Inc.) • Jeanne Dunning • Vanessa Filley • Tony Fitzpatrick • Lora Fosberg • Dianna Frid • Dawn Gavin • Beate Geissler/Oliver Sann • Aron Gent • Joan Giroux • Matthew Girson • Corinne Halbert • Anne Harris • EJ Hill • Cody Hudson • Sam Jaffe • James Jankowiak • Kelly Kristin Jones • Janis Kanter • Mariah Karson • Barbara Kasten • Chris Kerr • Laura Kina • Kierah / KIKI King • Katinka Kleijn • Anna Kunz • Jessica Labatte • Jin Lee • Kirsten Leenaars • Riva Lehrer • Carron Little • Jorge Lucero • Duncan MacKenzie/Christian Kuras • Iñigo Manglano-Ovalle • SaraNoa Mark • Nathan Mason • Yvette Mayorga • Cecil McDonald, Jr. • Amy Mooney • Paul Nudd • Betsy Odom • Nate Otto • Debra Parr • Erin Peisert • Kim Piotrowski • Pooja Pittie • Melissa H. Potter • Public Collectors • Joseph Ravens • Monica Rezman • Caitlin Ryan • Cristal Sabbagh • Jason Salavon • Carlos Salazar-Lermont • Kathie Shaw • Deb Sokolow • Edra Soto • Amanda Taves • Nora Taylor • Tom Torluemke • Selina Trepp • Tricia van Eck • Amy Vogel • Philip von Zweck • Julie Weber • Frances Whitehead • Julian Williams • Jay Wolke • Sarah Beth Woods/Małgorzata Markiewicz • Derrick Woods-Morrow • Victor Yañez-Lazcano


We Are Not All That is Possible, video still, 2022

Kirsten Leenaars & Whitney Bradshaw: Embodiments in Time

Public (Virtual) Lecture, Tuesday, January 25th:


Zoom webinar.

When: Jan 25, 2022 03:30 PM Eastern Time (US and Canada)


Please click the link below to join the webinar:

https://us06web.zoom.us/j/81446067630?pwd=MnBrVDJKR3lpNXhBUk1Wcmw0TnlkUT09

Passcode: 136618

Or One tap mobile :

US: +13017158592


In Body, Mind, Spirit: Embodiments in Time, Chicago-based artists Kirsten Leenaars and Whitney Bradshaw each show individual projects and their collaborative project: Revelations from the Archive - which mines the Saint Mary’s archive for representations of belonging, community, empowerment and activism. Questioning what these images and documents represent and subsequently what the absences in the archive reveal about what it means to be a student at Saint Mary’s. Through this research they try to make connections to the discussions that are happening right now, at campus and in society at large.


Leenaars worked with former and current Saint Mary’s students to create a multi-channel video work titled: We Are Not All That Is Possible (Portraits). Leenaars invited the young womxn to consider what a culture of belonging looks like and what this would mean to them?


Bradshaw’s OUTCRY series is an ongoing social practice project that provides a safe space for womxn to express feelings that have been silenced, or dismissed in our culture.


The connecting thread between Leenaars' and Bradshaw's projects and practices is that their work is underpinned by a strong desire for social change and creating space through their work for womxn to reclaim their voice, tell their stories, take up space and each offer a platform through their work for a multitude of voices and self-expression.


Department of Art

Saint Mary's College

226 Moreau Center for the Arts

Saint Mary's College

Notre Dame, IN 46556


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